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Combining a carefully organized anthology of poetry and an effective writing about literature text, Thinking and Writing about Poetry helps;
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. The authors argue that separating the making of poems from critical thinking about them is a false divide and encourage students to become;
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Scholars in the fields of philosophy and literature seek to dismantle old myths about the differences between orality and writing, about;
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Scholars in the fields of philosophy and literature seek to dismantle old myths about the differences between orality and writing, about;
Vergelijkbare producten zoals The Ethics of the Dust
approach to reading, thinking and writing about poems. Moving from introductory overviews to short sections on key concepts, forms and topics, each;
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approach to reading, thinking and writing about poetry. Combining an easy-to-use reference format with in-depth practice readings and further;
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, voice, and structure. Questions and writing prompts help facilitate class discussion and a deeper thinking about poetry. The last chapter, A;
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' thinking that « being creative and « writing poetry are two separate skills: inspiration is unreliable, but experienced poets create daily.;
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important responsibilities you have as a writer. This is the first practical guide to thinking and writing reflectively about these issues;
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A good poetry idea should help the children feel excited about writing and enable them to think of what to write - developing their;
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A good poetry idea should help the children feel excited about writing and enable them to think of what to write - developing their;
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How does a poet go about writing poetry? Chris McCully, himself a poet and teacher of poetry, put this question to thirteen of Britain's;
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to working with publishers and editors to achieving literary fame - and challenges previous thinking about genres in which women contributed;
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collection are both informative and accessible and offer a rich exploration of multiple approaches to thinking and writing about poetry today.;
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the while promoting individual creativity and expression. Writing Poetry starts with questions about what poetry is, what it means to the;
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Pre-Romantic Poetry intervenes powerfully in debates about eighteenth-century writing, Romanticism, and literary history. By arguing that;
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-period writing by complicating the concept of 'Nature', and it also contributes to the debates about politics and the body in this period. It;
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-period writing by complicating the concept of 'Nature', and it also contributes to the debates about politics and the body in this period. It;
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to working with publishers and editors to achieving literary fame - and challenges previous thinking about genres in which women contributed;
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entire thinking and writing process, TECHNIQUES is divided into three parts that build upon one another: Part I--Thinking Through the Thesis;
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offers new ideas that will spur students' creative thinking and offer them new formats for poetry writing. The relevant topics provide powerful;
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I'M WRITING TO TELL YOU is a collection of vulnerable, transparent, inspiring and entertaining poetry written by Jaha Zainabu. In this;
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, genres and concepts that enable readers to develop a richer, more sophisticated approach to reading, thinking and writing about poems. Combining;
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Now in a fully revised and extended second edition, How to Teach Poetry Writing: Workshops for Ages 8-13 is a practical and activity based;
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points of view, offering examples of how those involved feel about the relationship between creative writing and education. Many of the;
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points of view, offering examples of how those involved feel about the relationship between creative writing and education. Many of the;
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Anthropocene requires poetry and the humanities to find new ways of thinking about unfamiliar spatial and temporal scales, about how we approach the;
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