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Theatrical Reenactment in Pindar and Aeschylus

What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the;

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Praelections Delivered before the Senate of the University of Cambridge

-44; James Adam on Pindar, fragment, 131; A. W. Verrall on Aeschylus, Eumenides, 734-743; Walter Headlam on Aeschylus, Agamemnon, second;

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A Companion to Aeschylus

A COMPANION TO AESCHYLUS A COMPANION TO AESCHYLUS In A Companion to Aeschylus, a team of eminent Aeschyleans and brilliant younger scholars;

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Aeschylus

of Aeschylus' innovative genius as poet, storyteller and theatrical wizard by setting the play against the rich traditions of archaic poetry from which;

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Agamemnon Of Aeschylus

the play's dramatic momentum. Separate sections explore Aeschylus' use of theatrical resources, the role of the chorus, and the solo;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Godofredi Hermanni Opuscula

classical philology. Best known for his work on Greek metrics and his editions of Aeschylus, Euripides and others, Hermann (1772-1848) drew on;

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Godofredi Hermanni Opuscula

on Aeschylus, Pindar and Euripides, reviews, and occasional verse. This diverse collection provides fuller insight into the mind of this;

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Woman's Theatrical Space

and comparative study, Scolnicov reveals the changing conventions of the theatrical space as faithful expressions of the changing attitudes to;

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Hellenica Selected Papers on Greek Literature and Thought

, Alcman, Sappho, Stesichorus, Simonides, Pindar, Aeschylus, Euripides, and Corinna, among others, and the collection includes a previously;

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Historical Reenactment

widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as;

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Historical Reenactment

widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as;

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The Routledge Handbook of Reenactment Studies

includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from;

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The Routledge Handbook of Reenactment Studies

includes a co-authored critical introduction and a comprehensive compilation of key term entries contributed by leading reenactment scholars from;

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Aeschylos: Eumeniden

Karl Ottfrid von Muller's translation of and commentary on Aeschylus' play The Eumenides, the concluding drama in the Oresteia trilogy;

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The Suppliant Women

, where do we belong and, if all goes wrong, who will take us in? Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the;

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Performing Gods in Classical Antiquity and the Age of Shakespeare

on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors;

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Classical Mythology

variety of faithfully translated passages from Greek and Latin sources, including Homer, Hesiod, all the Homeric Hymns, Pindar, Aeschylus;

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Classical Mythology

and Latin sources, including Homer, Hesiod, all the Homeric Hymns, Pindar, Aeschylus, Sophocles, Euripides, Herodotus, Plato, Lucian;

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Classical Mythology

translated passages from Greek and Latin sources, including Homer, Hesiod, all the Homeric Hymns, Pindar, Aeschylus, Sophocles, Euripides, Herodotus;

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Pindar

other poems. Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by;

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The Furies

dramatic dialogue, the plays embody Aeschylus' concerns with the destiny and fate of both individuals and the state, all played out under the;

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