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Resisting the Marriage Plot - Faith and Female Agency in Austen, Bronte, Gaskell, and Wollstonecraft

Gaskell, and Mary Wollstonecraft. Each of these authors, she argues, appealed to the Christian faith through their heroines to challenge cultural;

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Family Likeness

Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Gaskell, and;

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Family Likeness

Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Gaskell, and;

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From Wollstonecraft to Stoker

Wollstonecraft, J. Sheridan Le Fanu, Bram Stoker, Charles Dickens, Robert Louis Stevenson, Elizabeth Gaskell, Henry James and Charlotte Bronte. Each;

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Cambridge Studies in Nineteenth-Century Literature and Culture

of narratives by Austen, Charlotte Bronte, Dickens, Eliot, Eden, Gaskell, Oliphant and Reade to show how domestic work, the most feminine of all;

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Professional Domesticity in the Victorian Novel

of narratives by Austen, Charlotte Bronte, Dickens, Eliot, Eden, Gaskell, Oliphant and Reade to show how domestic work, the most feminine of all;

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Victorian Pilgrimage

Victorian Pilgrimage: Sacred-Secular Dualism in the Novels of Charlotte Bronte, Elizabeth Gaskell, and George Eliot argues that Charlotte;

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The Life of Charlotte Bronte

)-whose books were sometimes initially credited to, simply, "Mrs. Gaskell"-is now recognized as having created some of the most complex and;

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Jane Austen's Men

that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as;

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Jane Austen's Men

that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as;

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Private Sphere to World Stage from Austen to Eliot

, Elizabeth Gaskell, and George Eliot offer persuasive accounts of the ways in which women used stealth tactics to outmaneuver their detractors;

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Private Sphere to World Stage from Austen to Eliot

, Elizabeth Gaskell, and George Eliot offer persuasive accounts of the ways in which women used stealth tactics to outmaneuver their detractors;

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The Female Romantics

between two literary periods. In terms of women's writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist;

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The Female Romantics

between two literary periods. In terms of women's writing, however, the era between the death of Mary Wollstonecraft and the 1860s feminist;

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The New Man, Masculinity and Marriage in the Victorian Novel

encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples;

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The Nineteenth Century

of women writers is fully recognised, with selections from Jane Austen, the Bronte sisters, and Elizabeth Gaskell. The anthology concludes with;

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Women-Writers of the Nineteenth Century

: Jane Austen, the Brontes, Elizabeth Gaskell, George Eliot, Elizabeth Barrett Browning and Christina Rossetti. Bald focuses on the humanity;

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Fictions of Authority

Hurston, and Jamaica Kincaid. In writers who attempt a communal voice -including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique;

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Fictions of Authority

Hurston, and Jamaica Kincaid. In writers who attempt a communal voice -including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique;

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The Life of Charlotte Bronte

and Anne, the publication of Shirley and Villette, her correspondence with Thackeray, Gaskell and Martineau, and her eventual marriage in 1854;

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Family Likeness

, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Gaskell, and;

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Romance's Rival

Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means;

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Chastity and Transgression in Women's Writing, 1792-1897

Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.;

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Chastity and Transgression in Women's Writing, 1792-1897

Victorian era. She considers a wide range of authors including Mary Wollstonecraft, Amelia Opie, Mary Hays, Elizabeth Gaskell, and Sarah Grand.;

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Smile of Discontent

was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as masculine;

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The Origins of the English Marriage Plot

Why did marriage become central to the English novel in the eighteenth century? As clandestine weddings and the unruly culture that;

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The Origins of the English Marriage Plot

Why did marriage become central to the English novel in the eighteenth century? As clandestine weddings and the unruly culture that;

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