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It Begins With Metamorphosis

Xu Bing is one of the most important Chinese artists working today. His sophisticated works reflect and challenge the political and social;

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Multiple Impressions

technique and conception, which have transformed this long-established art form in recent years. It includes works by such artists as Xu Bing, Kang;

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Landscape & Western Art

the chief subject; landscape as constituted by various practices of framing; the sublime and ideas of indeterminacy; landscape art as;

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These

These is een boek van Vainker;

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Between Landscape Architecture and Land Art

of art and architecture, the ever changing relationship between man and nature is given new expression. Ecological concerns and aesthetic;

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Peter Paul Rubens 1577-1640 and His Landscapes

posthumous reception of views on nature and landscape as depicted in Rubens's landscape art. By investigating contemporary notions on the changing;

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Xu Xiake (1586-1641)

of Xu Xiake (1587-1687) a compulsive traveller who spent a lifetime visiting and writing about China's 'beauty spots'. The general view of his;

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Scenarios for a Mixed Landscape

. His recent Clio's Children: Dostoevsky at Semyonov Square and Other Poems is a reminder, as the title implies, that history is a narrative art;

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Re-Framing The Theatrical

spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and;

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The Word of Wisdom

A unique exploration of the role of Nature in the theology of African faiths, covering all significant historical and modern traditions;

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Language To Persuade, Argue And Advise Student's Book

Literacy in Context is your key to delivering the Framework for Teaching English. Each book will help students to understand more about a;

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A Model for All Christian Women

, and the Xu family history. Using these as well as other relevant European missionary and Chinese language sources, Candida Xu's life as;

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A Model for All Christian Women

, and the Xu family history. Using these as well as other relevant European missionary and Chinese language sources, Candida Xu's life as;

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Chinese Philosophy and Contemporary Aesthetics

, and art critics. Because xu has inner plasticity and re-generation, which are crucial for its aesthetic discourse, the relation between nature;

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Scapeland: Writing the Landscape from Diderot S "Salons" to the Postmodern Museum

narrative responses to art as imaginative assertions of human presence against the impersonal world of objects.;

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Culture, Technology, And The Creation Of America's National Parks

argues, instead, that parks must be understood as complex cultural technologies for the reproduction of nature as landscape art. He explores the;

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Culture, Technology, and the Creation of America's National Parks

argues, instead, that parks must be understood as complex cultural technologies for the reproduction of nature as landscape art. He explores the;

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Aesthetic Transcendentalism in Emerson, Peirce, and Nineteenth-Century American Landscape Painting

experience, the possibility of discovering new aesthetic features about the world, and the transformative potential of art as an organic expression;

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Aesthetic Transcendentalism in Emerson, Peirce, and Nineteenth-Century American Landscape Painting

experience, the possibility of discovering new aesthetic features about the world, and the transformative potential of art as an organic expression;

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ANZANG Nature and Landscape: The Fourth Collection

commended photographs from the exhibition, as well as indepth information regarding photographic technique, Nature and Landscape is a unique;

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Chinese and Americans

to showcase its rise as a global power. These surprising shared traditions between two nations, Xu argues, provide the best roadmap for the;

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Anthropology of Landscape

Landscape has long had a submerged presence within anthropology, both as a framing device which informs the way the anthropologist brings;

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Nature As Artifice

popular imagination. This is still the image of the Netherlands in mass-media and tourism. Nature as Artifice shows a new and different;

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Nature and Language

function as language but derive their meaning from nature. The authors trace the consequences of this, and show how it affects the character of the;

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