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Comics Versus Art

comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely;

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Comic Art, Creativity and the Law

- in the past, present and future. Comic Art, Creativity and the Law is essential reading for anyone interested in understanding the multi-billion;

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Visions of the Future in Comics

presaging narratives can be read as reflections of their authors' (and readers') hopes, fears and beliefs about the present. This collection of new;

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Arresting Development World Comics and Graphic Nonfiction Series Comics at the Boundaries of Literature

of literary illegitimacy and the struggles for status that marked their earlier history. Many graphic novelists are intensely aware of both the;

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Old Futures

alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation;

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Old Futures

alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation;

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The Comics of R. Crumb

pioneer of underground comix and a fixture of comics culture. Ranging from art history and literary studies, to environmental studies and;

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Death and Garden Narratives in Literature, Art, and Film

, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's Little Sparta, the poetic verses from;

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Drawing the Past, Volume 2

aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two;

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Drawing the Past, Volume 2

aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two;

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Critical Approaches To Comics

novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or;

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People and Place

of covenantal theology. Arguing that the history of Israel and the covenant of grace provide the proper context for New Testament ecclesiology, Horton;

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Comics

Comics are a specific art-form in their own right. As products of the print media (newspaper, magazine, book) and the electronic media;

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The Aesthetics of Comics

, whereas a piece of museum art can only be fully interpreted by scholars familiar with the history and the background behind the painting. Finally;

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Comics Studies

history, form, audiences, genre, and cultural, industrial, and economic contexts. An invaluable one-stop resource for veteran and new comics;

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Forgetting Futures

Forgetting Futures reignites the debate about the crisis of memory and the search to understand the relationship between past and present;

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The Cultural Gutter

articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back;

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Arresting Development

of literary illegitimacy and the struggles for status that marked their earlier history. Many graphic novelists are intensely aware of both the;

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Ghosts of Futures Past

game, this was a new religion, which channeled the voices of the dead, linked present with past, and conjured new worldly and otherworldly;

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