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The Comacines, Their Predecessors and Their Successors

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The Comacines, Their Predecessors and Their Successors

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The ejected of 1662 in Cumberland & Westmorland, their predecessors and successors (Volume I)

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Hegel and the History of Political Philosophy

philosophy and its history is demonstrated by the links established between Hegel and his predecessors and successors. Hegel's political theory;

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A Short History of Opera

five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The;

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Phantom Variations

This book examines the themes and variations of Phantom of the Opera , demonstrating why Phantom has appealed to multiple generations;

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The Unaccommodated Calvin

thought and that of his predecessors, contemporaries, and successors. Richard Muller is particularly interested in the interplay between;

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Cather and Opera

Melding cultural history with thoughtful readings of Willa Cather's works and discussions of opera's complex place in turn-of-the;

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Opera Encore

For over twenty years, Joseph A. Kestner wrote for Opera News and other publications. Collected for the first time, Kestner's essays;

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Matsuo Bash?'s Poetic Spaces

Haikai is an art that parodies and often subverts its linguistic, generic, and personal predecessors, and its intersections include;

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Ancient Persia

The Achaemenid Persian Empire, at its greatest territorial extent under Darius I (r.522-486 BCE), held sway over territory stretching from;

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Ancient Persia

The Achaemenid Persian Empire, at its greatest territorial extent under Darius I (r.522-486 BCE), held sway over territory stretching from;

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Jane Austen & Company

Here we come to know Jane Austen by the company she keeps: her predecessors Fielding, Sterne, Lennox, and Burney, her contemporary Scott;

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Beggar & Co . Beggar & Co, CD

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The Beggar's Opera

performed in 1728. Kidson details the background to the opera's creation, its author, and its lasting impact on the English opera scene. This book;

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Opera

Opera: The Basics offers an excellent introduction to four centuries of opera. Its easy to follow sections explore topics including;

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The Ultimate Art

form--and his fascination with the many worlds from which it sprang.From its seventeenth-century beginnings, opera has been decried by its;

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Dostoevsky Beyond Dostoevsky

Russia form the core of the intellectual framework of this book. Dostoevsky's oeuvre with its wide-ranging interests and engagement with;

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Dostoevsky Beyond Dostoevsky

Russia form the core of the intellectual framework of this book. Dostoevsky's oeuvre with its wide-ranging interests and engagement with;

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The Rousseauian Mind

Jean-Jacques Rousseau (1712-1778) is a major figure in Western Philosophy and is one of the most widely read and studied political;

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The Rousseauian Mind

Jean-Jacques Rousseau (1712-1778) is a major figure in Western Philosophy and is one of the most widely read and studied political;

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Ever a Vision

emphases. He recounts the seminary s growth, its struggles, its various curricula and presidents, and examines the concerns and activities of its;

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On Descartes' Metaphysical Prism

anyone interested in the genealogy of contemporary thought and its contradictions.;

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True Friendship

the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself;

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The Ultimate Art

with ''The Difference Is They Sing,'' a potentially controversial essay on the nature of opera and its place in modern culture. From there;

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Routledge Companion to Ancient Philosophy

The Routledge Companion to Ancient Philosophy is a collection of new essays on the philosophy and philosophers of the ancient Greek and;

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The Oxford Illustrated History of Opera

historical narrative and more on the complex development of opera, especially on its relationship with the other arts and its place within the;

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